top of page

Swan Lake

esphotoart

_DSC0873.jpg

The "classic" period

In the first two decades of the 19th century, the theaters at Pariser Boulevard du Temple, some of which owned large ballet ensembles, very successful with mixed forms of ballet, theater, mime  and circus. The mythological ballets der Paris Opera  became old-fashioned and the Opéra had to adapt to the tastes of the public, who either wanted realistic material or holidays preferred. In the opera La muette de Portici (1828) a mute protagonist appeared, much like in the products of the boulevard theaters wie Yelva, the Russian orphan (1828). Such silent roles  were often interpreted by dancers. In the same year, the opera included the ballet La fille mal gardée in a modernized version.

_DSC0738.jpg
_DSC0758.jpg
_DSC0589.jpg
_DSC0593.jpg
_DSC0595.jpg
_DSC0749.jpg

A collaboration with Daria,

the interaction between industry and the White Swan. The beautiful and the black blast furnaces, dance and lose yourself in the tangled clutches of the Duisburg blast furnaces.

_DSC0747.jpg
_DSC0804.jpg
_DSC0758.jpg
_DSC0660.jpg
_DSC0660.jpg
_DSC0673.jpg
_DSC0706.jpg
_DSC0757.jpg
_DSC0756.jpg

esphotoart

bottom of page